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Allegory --- theater --- Literature --- Theatrical science --- Drama --- Allégorie --- Allegories

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General concepts and methods that occur throughout mathematics - and now also in theoretical computer science - are the subject of this book. It is a thorough introduction to Categories, emphasizing the geometric nature of the subject and explaining its connections to mathematical logic. The book should appeal to the inquisitive reader who has seen some basic topology and algebra and would like to learn and explore further.The first part contains a detailed treatment of the fundamentals of Geometric Logic, which combines four central ideas: natural transformations, sheaves, adjoint fun

Category theory. Homological algebra --- Allegories (Mathematics). --- Categories (Mathematics). --- Categories (Mathematics) --- Allegories (Mathematics) --- Category theory (Mathematics) --- Algebra, Homological --- Algebra, Universal --- Group theory --- Logic, Symbolic and mathematical --- Topology --- Functor theory --- Toposes. --- Foncteurs, Théorie des --- Topos (mathématiques) --- Faisceaux

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Allegory. --- SOUTH AFRICA --- COETZEE (JOHN MAXWELL), 1940 --- -LACAN (JACQUES), PSYCHIATRE ET PSYCHANALYSTE FRANCAIS, 1901-1981 --- ALLEGORIES --- INFLUENCE

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Discussions of apocalyptic thought and its sources in the ancient Near East, particularly Mesopotamia, have a long scholarly history, with a renewed interest and focus in the recent decades. Outside Assyriological scholarship as well, studies of the apocalyptic give significant credit to the ancient Near East, especially Babylonia and Iran, as potential sources for the manifestations of this phenomenon in the Hellenistic period. The emphasis on kingship and empire in apocalyptic modes of thinking warrants special attention paid to the regal art of ancient Mesopotamia and adjacent areas in its potential to express the relevant notions. In this book, Mehmet-Ali Ataç demonstrates the importance of visual evidence as a source for apocalyptic thought. Focusing on the so-called investiture painting from Mari, he relates it to parallel evidence from the visual traditions of the Assyrian Empire, ancient Egypt, and Hittite Anatolia.

Time and art. --- Holy, The, in art. --- Apocalyptic art. --- Art, Ancient --- Art, Apocalyptic --- Allegories --- Symbolism in art --- Art and time --- Art --- Themes, motives.

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Giorgio Vasari was one of the most interesting and prolific creators of embodiments of the sixteenth century. His allegorical figures speak the same language, rhetoric, literature and contemporary philosophy, scholar and courtier of the world which is an active Vasari. This paper aims to study the reasons and forms of exuberance that characterize this allegorical language, the first of its encoding, which begins at the end of the century, with the Iconology of Cesare Ripa.

Art, Italian --- Allegories. --- Symbolism in art --- Personification in art. --- Art italien --- Allégories --- Symbolisme dans l'art --- Personnification dans l'art --- Vasari, Giorgio, --- Allegory --- Personification in art --- Criticism and interpretation --- Allégories --- Allegorie. --- Malerei. --- Personifikation. --- Symbolism in art. --- Vasari, Giorgio. --- Criticism and interpretation. --- Vasari, Giorgio, - 1511-1574 --- Vasari, Giorgio, - 1511-1574 - Criticism and interpretation